Interwoven Dependencies: Keynote Performance by Tuli Mekondjo

Tuli Mekondjo’s performance "Saara Omulaule/Black Saara" (2023) was improvised & inspired by Kari Miettinen’s book "On the Way to Whiteness – Christianization, Conflict, and Change in Colonial Owamboland, 1910-1965". The Finnish Sunday school song about “Black Saara – the little Negro girl” prompted a visceral response and an avenue of questioning for Mekondjo. She asks: “What made my ancestors (Aawambo people) convert to Christianity during the period 1910-1965?” The artwork evokes the need for ritual practices on living bodies as an attempt to awaken their souls from spiritual death in order to connect to our ancestors. This practice insists on the imperative performative action carried forward by ancestors, whose remains are still kept in the bondage of colonially created museums and missionary-made cemeteries. Mekondjo’s use of food, ritual and medicinal items to install the performance video are a way to connect ancestral spirits with the digital manifestation. PW: olukonda